Modern Spanish Colonial Interior Design Los Angeles Architectural
Modern spanish colonial interior design, if you consider the quintessential Los Angeles architectural type there may be one which instantly springs to thoughts: the Spanish colonial. They usually function white stucco over adobe brick or stone walls, arched doorways, picket beams, and pink, barrel tile roofs and they’re a signature design fashion of L.A. real estate.
So, once we see the one which has been restored and modernized while paying homage to its heritage, we will not resist taking a peek inside. Properly, you are in for a deal with, as a result of Colette “Coco” Shelton of Cococozy design blog did simply that along with her latest project.
Located within the upscale neighborhood of View Park, the Thirties Spanish colonial revival is 1860 square ft of pure gold. Elevating the home’s beautiful bones and preserving its historic character was exactly what Shelton had in thoughts when she approached the design.
This was especially important given the venture required a whole interior renovation with all new baths, outdoor panorama and hardscape, plumbing, electrical, HVAC, wooden flooring, paint, and a chef-prepared kitchen. The design provides a contemporary twist on old-world Hollywood with clear lines, midcentury-inspired items, luxe textures, and unexpected pops of color and sample for a refreshingly tailored aesthetic.
“I needed to honor the history of the house,” she tells me. “In a world the place everyone is tearing up the interiors of homes to create areas that each one looks the same (similar to an open flooring plan), I wanted to honor the character.” Shelton deliberately selected to not blow out all of the main walls and completely change the persona of the home. Take a peek inside and see how she infused her eclectic, elevated, and tailored interior style into this putting Spanish colonial home.
Shelton didn’t wish to subscribe to one explicit design model or development so the overall styling of your entire home is a fusion. “As individuals, we’re a mélange of loads of different things, and I don’t like the idea of being put into a singular box,” she says. “I design with parts that catch my eye, and this home is the perfect instance of how I followed my intuition and personalized the design.”
Shelton characterizes the design as accessible stylish with modern charm. “I custom-designed stained glass for a small landing window next to a trio of birds that leads you downstairs to the home’s bonus area,” she adds. “The design is steeped within the modern and previous world mixing conventional with contemporary to honor the house’s original Thirties allure whereas offering a contemporary twist for at present’s living.”
When designing the living room, Shelton needed the area to feel recent with layered textures and patterns. She used Benjamin Moore’s Super White paint for the partitions, with a daring black trim (Benjamin Moore’s Blacktop) for a contrasted look. “This space gave me a chance to play with neutral colors like blacks, whites, and grays and I balanced the tonal palette by infusing the room with pure elements together with the wood lamp, rattan aspect desk, and occasional table,” she says.
Shelton additionally needed to incorporate her character and memories into the room. “For example, I cherished driving horses after I was growing up, so I featured horseshoe motifs all through the house,” she continues. “The tray on the coffee table is a metallic mechanics tray I found at a flea market and painted gold.
I’m additionally an animal lover so the hippopotamus guide ends on the shelf and the golden swan on the facet table are both flea market finds I had hidden in my storage. I layered a black rug from my very own assortment on high of the large striped rug to add depth and fill the house with appeal and individuality.”
While the colors are more tonal and impartial throughout the house, she needed to make an enormous statement with the lighting. “In a space of this measurement, I like utilizing an open frame and linear lighting with delicate lines,” she says. “The living room’s light fixtures add drama and tie the entire room together. I added a stunning ceiling medallions for a glamorous touch.”
To carry natural parts into the eating room, Shelton brought in a teak dining desk and light wooden flooring.
The gallery wall in the eating area is a reflection of Shelton’s love of history, travel, and botanicals. “I love finding beauty and meaningfulness in the simple things,” she says. “I’ve been gathering botanical prints for the final 15 years, and I wanted to incorporate my love of botanicals all through the home.” After a visit to a pal in London, she found a guide of colorful botanicals at a flea market in Notting Hill.
Then she came throughout an 1800s agricultural information at a flea market in Pasadena, Los Angeles, and proceeded to tear out the drawings from each book and framed them as artwork. She also framed several pages from an old guide about Forties Paris (town of love is one other inspiration of Shelton’s) and displayed them alongside the botanical prints on the gallery wall.
“With the frames, I decided to go together with black and pure wood frames, and some of the artwork items have matte, and some do not,” she says. “I needed to design a gallery wall that had an eclectic and curated feel and incorporated issues I love to read and look at. I also thought that taking the gallery wall from near floor to ceiling would daringly tell that story.”
The kitchen was an entire renovation. Shelton strategically opened up the area to create a useful and modern space. “Previous to the renovation, the kitchen consisted of three small, cramped rooms and had no sense of circulating,” she muses. “It was heavily dated with previous home equipment and tile flooring. I transformed the area into an up to date sanctuary match for entertaining and hosting with Monogram home equipment and infused the area with brand new flooring, cabinetry, countertops, fixtures, and paint.”
Shelton appears to be like “in all places” for décor inspiration but the journey is a constant supply of inspiration from a quaint little bookstore in Paris to the luxurious, natural elements in South America or the artwork of an area graffiti artist in Los Angeles. “Over the final ten years of doing my COCOCOZY design blog, I’ve discovered that I don’t subscribe to a specific design, and I incorporate components in my design that catches my eye and communicate to me,” she says.
Although many people like waking up at midnight, Shelton loves the thought of waking up within the light. “I wished a serene and fresh look for the master bedroom with clear linens and surprising touches,” she says. “I completely love the Pom Pom at Residence linens in this room. They’re fresh and crisp with elements of surprise, just like the eyelet trim and opulent textures of the large knotted dark chunky throw. I have these linens in my very own private dwelling so it only made sense that I carry these well-designed mattress linens into this project.”
She added heat to space with Moroccan marriage ceremony blankets in the studying nook and delicate mild fixtures. “The dresser is an outdated classic piece from the 1930s that I painted black and white for a shade block impact,” she continues. “The paintings above the mattress is a pair of letter “L” s made out of cardboard that I discovered at the native craft store. I painted them white and turned them on its facet for an artistic and geometric effect.”
Since Shelton wished to “clean up” the house retaining the heritage intact, she saved the color palette super simple. White walls, delicate black trim, with a wonderful pop of teal throughout. The furnishings bring some golds, blush, blues, and grays into the combo to create a hanging factor in opposition to the neutral palette.
The largest problem of this mission was the first contractor who didn’t deliver on anything he mentioned he was going to do. “Unfortunately, I needed to let him go and begin afresh with a brand new contractor, which undoubtedly affected the mission’s completion date,” she recalls. “My new contractor was unbelievable to work with and he was in a position to build out my vision for the home.”
For the third bathroom, Shelton went with a hanging high distinction design with a fresh, modern twist. This bathroom was a whole renovation, which she transformed from an old storage closet.
“I found a window and made it into custom stain glass,” she says. “I bought a claw foot tub for $400 and had it re-glazed and painted for $200. To play off the vintage tub, I included plenty of contrasting parts like the large hexagonal tile on the ground, shiny tiles on the partitions, and a large black-framed mirror with clean minimal lines.”
For the third toilet, Shelton went with a striking high contrast design with a contemporary, modern twist. This toilet was a whole renovation, which she transformed from a previous storage closet.
“I found a window and made it into customized stain glass,” she says. “I bought a claw foot tub for $400 and had it re-glazed and painted for $200. To play off the vintage tub, I included a lot of contrasting parts like the big hexagonal tile on the ground, glossy tiles on the walls, and a large black-framed mirror with clear minimal lines.”
This toilet has a traditional modern mix. The graphic tiles make this space pop while the traditional iron gentle fixture anchor it in the Spanish colonial style.
If she needed to identify a favorite factor about the house, Shelton loves that it feels such as you’re in an old Hollywood home but it still feels refreshed and new. We would say she nailed it.